Vik Kainth

“What I would always say to others who are thinking to become an artist or put their creativity out there, is to always do it genuinely, confidently and, without fear. There will be many challenges but as artists, we will always have to right to think beyond, remain original , and always aim to exceed your own ability with visual emotion.”

Bio

Vik Kainth is a Digital Illustrator from East London who is best known for reviving the elements of traditional Indian art alongside modern digital techniques. Vik aims to entice audiences with traditional art from the South Asian subcontinent which has been influenced by themes from Arabic, Mughal and Oriental culture. Aiming to modernise the art we know and love, into the digital era where the worlds eyes are on screens and social media. Upholding the authentic traditional beauty of South Asian arts are uniquely blended with new digital mediums.

His artwork explores immense detail, depth and colour by layering multiple shapes and curvaceous lines to build together a work of art taking a minimum of three days to complete. Vik often tests a number of new digital techniques when creating his pieces to push the boundaries of innovation and digital design. Vik has produced a vibrant variety of original artwork featuring Gods, Goddesses, Maharajas, Maharanis and celebrity figures. Vik Kainth finds Inspiration from his personal experiences and passions which includes travel, music, faith and fellow creatives such as Cristiano Sequeira and Kenny Vindich.

Vik has a strong global following which includes fellow artists, influencers and celebrities alike. His artwork has recently been featured by The Times Of India newspaper and the BBC, as well as commissioned works for Naomi Campbell and Guards Mann to name a few. Vik has exhibited his works in Glasgow, Sacramento California, and London’s very own Battersea Park and Southbank Centre. In 2018 he produced a large street art mural in India which was featured by national media. Currently Vik Kainth portrays empowering south asian, retro nostalgic artworks and is designing NFTs for various clients.

“My art is a form of expressing traditional Indian art in a digital format, focusing on a futuristic retro and nostalgic visual essence, along with a lot of pieces that revolve around female empowerment. I love story telling, in a single piece of artwork which provides emotions that my audience can relate to.

I love exhibiting in general, but at Vaisakhi, I get to connect with my Sikh audience in particular, being able to showcase beautiful art alongside other amazing artists who are exploring their own creative journeys so it is always a positive vibe!

I would also say to new artists, create without fear, stay consistent, be original and most importantly, trust the process. We often find ourselves yearning for popularity or to be seen, so please take your time, do some research and experiment, let the art become what it must become. <3”

“Throughout my life as an independent artist I have experienced and experimented with many different subjects and styles, improving and challenging my ability with passion and persistence. I love posing the visual question of “what if?” And “why not?” Attaining controversial responses with my global audience and loyal art lovers. Through religious art and celebrity portraits, Culture and religion Is a big factor and inspiration in my work, as well as music, movies and storytelling. I believe my open minded approach to artwork of all cultures, creating ORIGINAL artworks that represent relatable scenarios and art that empowers South Asian women.”

“In the past as I was growing as an artist, I encountered many countless moments when i was undermined as a digital illustrator. Many believing that there isn’t value in digital art, and that it will never be something I can do long term. Fortunately there were also many people along my journey who encouraged me, and some who gave me platforms to show my work, and exhibit on production scale! I found myself destined to revive and re-imagine traditional Indian art, mixed with arabic, Japanese and modern aged technology. In my research I found that in many ancient mughal artworks, women were portrayed serving men, often exposed. So I set my eyes on the aesthetic of portraying women as queens (maharanis), in every way and realistic form I know. Giving a voice to the female gender and portraying their realities as well as their fantasies, paired with powerful poetic captions… If I could ever in the future, create a piece of artwork that someone can immerse themselves into, touch, walk through, smell and feel their environment, that will change everything for the ones who have struggled and yearn to experience their imaginations limitless potential!”

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